Clint Eastwood on justice & the cross

Dirty Harry & Gran Torino

So my friends at Law & Liberty have published some of my thoughts on Clint, the most famous conservative artist in cinema in his time—I started from Dirty Harry (1971), indeed, from the fact that we didn’t celebrate its 50th an. last year, yet America is busy reenacting the horrible urban crime problems that made Don Siegel & Clint make this movie in th…